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JessicaAlbaLover
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PostPosted: 12.07.2006 08:37 Reply with quoteBack to top

Lionsgate is picking up Cruise/Wagner-produced remake The Eye out of turnaround from Paramount and is in talks with Jessica Alba to star and French helmers David Moreau and Xavier Palud to direct. Variety says the film will shoot this winter.

The Eye is a thriller about a cornea transplant recipient who sees disturbing images in the mirror that send her on a quest to find out what happened to the eye's previous owner. The original was made in Hong Kong by Thai directing brothers Danny and Oxide Pang.

Tom Cruise and Paula Wagner persuaded Paramount to buy the remake rights in 2002 and got close to making it there with Renée Zellweger. When Zellweger dropped out, the project lost its momentum and the studio put it into turnaround.

Alba is in talks to make The Eye her next picture after the Fantastic Four sequel. Moreau and Palud, who last directed the French thriller Ils, will make The Eye their first U.S. picture.

- scifi.com
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PostPosted: 12.07.2006 15:54 Reply with quoteBack to top

Ich finde das wäre ja mal total geil, Jess in nem Horrorstreifen, die Verarsche bei den MTV Movieawards war ja auch schon geilo,naja da bin ich mal gespannt, der Inhalt hört sich ja schon mal vielversprechend an happy

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PostPosted: 13.07.2006 20:25 Reply with quoteBack to top

ja wäre bestimmt cool... in einem horror streifen... aber in einem wo sie nicht zum schluss stribt... sie sollte schon durchkommen biggrin biggrin

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PostPosted: 02.11.2006 23:35 Reply with quoteBack to top

Quote:
The Eye Remake to be Released December 21, 2007

Lionsgate has announced that the American remake of the Thai horror film The Eye will be released in theaters on December 21, 2007. The film stars Jessica Alba and directed by both David Moreau and Xavier Palud. In the film, a blind girl gets a cornea transplant so that she would be able to see again. However, she got more than what she bargained for when she realized she could even see ghosts. And some of these ghosts are down right unfriendly. So she embarks on a journey to find the origins of her cornea and to reveal the history of the previous dead owner.

(comingsoon.net)


Könnte also einen 2008er Release für Deutschland bedeuten.

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PostPosted: 06.12.2006 23:15 Reply with quoteBack to top

Quote:
Alba's violin tortures 'Fantastic' co-stars

The "Fantastic Four" heroes have a horrifying new enemy — particularly because she's coming from within their own ranks. "I'm doing a movie called 'The Eye,' " Jessica Alba said recently, standing in her trailer on the Vancouver set of "Fantastic Four: Rise of the Silver Surfer." "I'm learning how to play the violin, and this is what I'm learning." Holding up some sheet music for "Twinkle, Twinkle, Little Star," Alba said she's been subjecting temporary neighbors Chris Evans, Michael Chiklis and Ioan Gruffudd to her squealing violin as she prepares to play a visually impaired musician in the Tom Cruise-produced remake of the Hong Kong thriller. "I suck," she giggled. "But I'm learning slowly but surely. [I also have my] beloved, torturous violin. In between setups, I come in here and practice." Alba is planning to shoot the flick — about a woman whose eye transplant allows her to see dead people — once her Sue Storm duties wind down.

(mtv.com)


Die armen Kollegen! lach

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PostPosted: 07.12.2006 18:45 Reply with quoteBack to top

The Eye wird mit sicherheit eine so große Prdouktion, dass die gleichzeitig überall anläuft
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PostPosted: 07.01.2007 20:14 Reply with quoteBack to top

Quote:
Production starts in the first week of February

Casting of subsidiary roles is being finalized on Jessica Alba's "The Eye," which has a production start slated for the first week of February. The thriller has Alba as a violinist who regains her sight through a transplant operation after having been blind nearly all her life - only to find that she keeps seeing a terrified little boy and his crying mother in her apartment building, two victims of a murder suicide long before.

(dailynews.com)


Unter dem Violinentraining mussten ihre F4-Kollegen ja bereits leiden. lach

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PostPosted: 07.01.2007 21:32 Reply with quoteBack to top

Bei dem Film habe ich echt Skrupel rein zu gehen, eigentlich will ich nicht das Scientology mein Geld kriegt andererseits Jessica spielt mit was soll ich tun???? eek
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PostPosted: 07.01.2007 23:05 Reply with quoteBack to top

Maestro wrote:
Unter dem Violinentraining mussten ihre F4-Kollegen ja bereits leiden. lach

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Echt musste sie während der Dreharbeiten zu F4 schon üben??? Echt krass. Trotzdem lustig.

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PostPosted: 07.01.2007 23:24 Reply with quoteBack to top

Jo, das kannst du in diesem Video sehen! biggrin

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PostPosted: 19.01.2007 10:28 Reply with quoteBack to top

Quote:
Want to terrorize Jessica Alba?

Fango’s New Mexico correspondent Craig W. Chrissinger sent along the following item from an alternative weekly paper in Albuquerque regarding Lionsgate’s redux of THE EYE, the ghost chiller that put the directing Pang Brothers on the map:

“THE EYE, a remake of the hit [Asian] horror film, will soon be shooting in Albuquerque with Jessica Alba in the lead role. Producers are looking for people to play ‘Shadowy Figures.’ They want androgynous, slender, younger (20-40) males and females of any ethnicity. There are no lines, but actors will be trained in movement; dancers a plus. You must be willing to shave/wax your entire body and head (bald). This involves partial nudity (i.e., nude-style bodysuit) and you may be flown to Los Angeles to have prostetic fittings special-made to cover body parts. Pay is $700+ per day or $2,500+ per week for selected principal SAG roles. Interested? Who wouldn’t be? E-mail photo and contact info along with age, gender, experience and any other pertinent info to: eyecasting@hotmail.com.”

Sounds like an opportunity no androgynous, slender fan of horror or Jessica Alba could pass up. The new EYE is being helmed by David Moreau and Xavier Palud of the buzz-building French chiller ILS, a.k.a. THEM, with release scheduled for December 21.

(fangoria.com)


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PostPosted: 23.01.2007 10:16 Reply with quoteBack to top

Quote:
ALBA AND CRUISE TEAM UP FOR HORROR FILM

SIN CITY star JESSICA ALBA has signed on to star in horror thriller THE EYE for TOM CRUISE's production company. The 25-year-old has signed a $4 million (GBP 2 million) deal to star in the movie, which is a remake of the Hong Kong film JIAN GUI. The movie is being made for the MISSION: IMPOSSIBLE star's Cruise/Wagner Productions. It is not yet known whether Cruise will co-star in the film. Alba will play ALLISON, a woman who received an eye transplant that allows her to see into the supernatural world. Production starts next month (FEB07) on location in Albuquerque, New Mexico.

(contactmusic.com)


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PostPosted: 23.01.2007 22:00 Reply with quoteBack to top

ich hätte auch gern 4 Mio für 3 Monate Arbeit eek
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PostPosted: 24.01.2007 00:06 Reply with quoteBack to top

kwirk wrote:
ich hätte auch gern 4 Mio für 3 Monate Arbeit eek



Dann los du halt dich ran ab inne Schauspielschule und dann nach Hollywood wink

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PostPosted: 02.02.2007 11:30 Reply with quoteBack to top

Quote:
Two Join Alba in The Eye

Alessandro Nivola (Grace Is Gone) has been cast opposite Jessica Alba in the English-language remake of Hong Kong thriller The Eye. Variety says that Parker Posey (Superman Returns) also has boarded the project, which Cruise/Wagner Productions is producing for Lionsgate. Another newcomer is Paramount Vantage, which has signed on as a co-financing partner. French helmers David Moreau and Xavier Palud are set to direct.

The storyline revolves around a woman who, after a cornea transplant, begins seeing disturbing images that send her on a quest to find out what happened to the eye's original owner. Thai brothers Danny and Oxide Pang directed the original.

(comingsoon.net)


Wurde auch Zeit das der Cast sich füllt, denn die Dreharbeiten sollen ja in Kürze beginnen.

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PostPosted: 06.02.2007 23:34 Reply with quoteBack to top

Quote:
ALBA RESEARCHES BLIND ROLE

JESSICA ALBA has been learning how to live as a blind person to prepare for her role as a sightless violinist in the new film THE EYE. The 25-year-old has reportedly signed a $4 million (GBP2 million) deal to star in the movie, which is being made for TOM CRUISE's production company. She explains, "I've been training. I wear a sleep mask and carry a cane to get around with. I've also been practicing the violin - it's hard! It took me three months to figure it out!" In the film, Alba will play ALLISON - a woman who received an eye transplant that allows her to see into the supernatural world. The movie, which is a remake of cult Hong Kong film JIAN GUI, is scheduled to begin filming this month (FEB07) in Albuquerque, New Mexico.

(contactmusic.com)


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PostPosted: 09.02.2007 17:24 Reply with quoteBack to top

endlich, ich dachte schon der film wäre ein mythos tongue
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PostPosted: 07.03.2007 10:51 Reply with quoteBack to top

Der vorläufige US-Release ist der 12. Oktober 2007.

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PostPosted: 15.03.2007 18:12 Reply with quoteBack to top

Quote:
Synopsis

Sydney Wells (JESSICA ALBA) is an accomplished, independent, Los Angeles-based concert violinist. She is also blind, and has been so since a childhood tragedy. As our story opens, Sydney undergoes a double corneal transplant, a surgery she has waited her whole life to have, and her sight is restored. After the surgery, neural ophthalmologist Dr. Paul Faulkner (ALESSANDRO NIVOLA) helps Sydney with the difficult adjustment, and with the support of her older sister Helen (PARKER POSEY), Sydney learns to see again.

But Sydney's happiness is short-lived as unexplainable shadowy and frightening images start to haunt her. Are they a passing aftermath of her surgery, Sydney's mind adjusting to sight, a product of her imagination, or something horrifyingly real? As Sydney's family and friends begin to doubt her sanity, Sydney is soon convinced that her anonymous eye donor has somehow opened the door to a terrifying world only she can now see.

THE EYE is a bone-chilling supernatural thriller that tests the boundaries of perception and reality. Directed by David Moreau and Xavier Palud, the team who directed the suspenseful international hit THEM, THE EYE stars Jessica Alba, Alessandro Nivola and Parker Posey. Produced by Tom Cruise and Paula Wagner with Mike Elliott, Don Granger and Michelle Manning serving as executive producers.


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PostPosted: 26.03.2007 13:31 Reply with quoteBack to top

Trailer und Features vom Orginal:

klick
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PostPosted: 26.03.2007 17:32 Reply with quoteBack to top

Quote:
The Eye Set Visit

The clouds above me are a dark gray, rare for Los Angeles, but certainly not unheard of. I stand on the roof of post modern hotel, at a bar with decor that can best described as "ridonkulous". I stand, knowing that a few blocks away, down below in the streets of Los Angeles (Grand St. between 5th and 6th, to be precise), Sue Storm herself, Ms. Jessica Alba, is trying to emerge from a taxi cab in the rain. For a brief second, I wonder if Ms. Alba has enough pull in Hollywood to actually have caused this overcast day to accommodate the filming schedule. (Or maybe Budha/Zues/Odin/God, etc is just a REALLY big Dark Angel fan). All I know is, it must be really difficult for an actress to get out of a cab in the rain, holding an umbrella, a violin, and a cane all at once. Right, I probably should have mentioned that Alba is playing a blind woman. For this scene, anyway.

I'm on (well, technically ABOVE) the set of The Eye, munching on an assortment of random food that someone felt "resembled a single guy's attempt to cook dinner for his girlfriend". Sure it's tasty, but what a strange selection. I'm waiting for Ms. Alba, and the directors to arrive, so that we may grill them about this new film, and hopefully ascertain some new insight onto a film that some hardcore fans feel should not be made, as it could be "just another Hollywood remake."

The Eye is a remake of the Pang brothers hit Honk Kong thriller. Jessica Alba stars as Sydney Wells, a very talented and very blind concert violinist.. That is until she undergoes a transplant to restore her sight. No doubt, there will be some unforeseen consequences to this operation, some that will result in psychological horror. For those who have seen the original film, you already know the results. Also along for the ride is Alessandro Nivola (who I will always remember as Pollux Troy in Face/Off) as a psychologist who will eventually jeopardize his career (and possibly his heart) to help this girl.

And when you see Jessica Alba, you realize you would probably jeopardize your own career to help her out. Hell, some might even jeopardize everything you could possibly imagine to catch a glimpse of her walking down the street. But would one jeopardize hunger for Jessica Alba? That's a question only a man such as myself is truly prepared to answer, but I shall get to that in a moment.

Under the guidance of French co-directors, David Moreau and Xavier Palud (the team responsible for "Them", and not the one with the giant ants), this remake is attempting to be more than meets the proverbial..., well you can see where that sentence is headed. "They have this confidence about them that they can hold the camera a little longer - that's crucial to the fear factor of these movies" Nivola speaks of his directors. "If you're able to disassociate too easily with the world of the film, the more real it becomes and the scarier it becomes - and they certainly have a knack for that." When asked what it's like working for two directors, Nivola dryly responds "Oh, it's all the rage these days!"

"We basically do everything together. When we're on the set, maybe one that speaks more than the other, but it's pretty similar to working with one director." Xavier says between puffs of a cigarette. "We can concentrate on the story," added David "When you're alone, you wish you could have someone else for the story; we follow the same line."

Alba also feels strongly about her directors. "They're excellent, they really compliment each other. They're like a great married couple, an ideal marriage; they're each other's yin and yang." Despite the fact that David wears a New York Yankees cap, I'm willing to give her the benefit of the doubt. These two men seem focused on the task at hand, even if Xavier chain smokes at about the level of Constantine.

But Jessica Alba is hoping these two can provide her with a greater opportunity, as she is eager to shed herself from the comic book heroines from Sin City and Sue Storm she's come to embody. "I wanted to do something that transcended into the genre, " she says while taking a large bite of a tiny burger. "In this, it's really intelligent and it's a beautiful story of this girl's journey. Dealing with never having it (her sight), gaining it, and then losing her sanity. It just happens to be wrapped up in a horror movie, and I think that's just much more interesting than just playing something like running around in a white t-shirt assaulting people. I totally appreciate that stuff, I really do; but, it's a lot more interesting for me to play someone who's blind and a classical violin player than..."

Her voice trails off, but director Xavier is quick to finish her sentence. His answer? "A girl running around the streets in her t-shirt in the rain." Which is precisely what I witness being filmed shortly thereafter.

To her credit, she was wearing a coat and some nice slacks, not exactly fare that sets off alarms at fetish clubs and comic book conventions. But I must say, she looked good in it. Too good, actually. So good, in fact, that I decide to do something I'm willing to bet many men have dared try, but few have succeeded.

I asked Jessica Alba if I could have some of her fries. They were really quite tasty, some still having a bit of the russet skin left on. Then they were seasoned with a plethora of spices the likes of which I have never seen. They were magnificent fries. And they sat there, staring me in the eye the entire time. You must understand, I had to do it.

"Absolutely!", she was quick to respond. This provided me with a brief moment of shock as I naturally assumed she would think me creepy. Alas, she seemed genuinely happy that I had asked her for her fries, as if this was the moment of the entire day she was waiting for. (I knew wearing the shirt that boldly proclaims "I Am Mighty" would come in handy this day). "But to be honest, they're kind of cold, and not that great."Though not exactly a ringing endorsement, I proceed anyway. And I'll be damned, she's right. They were rather luke.

Regardless, if I go by the Lloyd Dobler sanctioned meaning of the word, I have now successfully had a date with Jessica Alba. (We shared a meal! That's eating!) Just try and deny me my claim on that one.

However, a perfect moment in the end always turns out to be just that: a moment. Jessica (or Jess, as I have now decided to call her in my mind, and solely in my mind, seeing as how we're so close already) must quickly return to the set where she is to film more of the scene in the rain. I didn't care, though, for I was on cloud 9. (Well, technically, I was on this chair that was a waterbed. Refer to my "ridonkulous" description of the decor).

Shortly thereafter, it's time to visit the set. A closed off street is the locale, and high above our heads is a giant sprinkler system. A crowd of curious onlookers try to catch a glimpse of my latest lunch date. And everybody waits while the directors try to get everything perfect. There's quiet on the set. The fake rain begins to pour down in ways I haven't seen since I left New Jersey. A PA is positioned inside the taxi to assist Jessica out of the cab. Another PA informs me that the closer I stand, the more soaked I will get from the rain machines. The director calls "Ac...

Dude! I totally asked Jessica Alba for her fries! I got the nerve to say something directly to her, and I got the greatest response I could have possibly gotten. Holy crap, I am such the man! For as proud as I was (and still am) at that moment, I'm afraid that watching Jessica Alba get out of a taxi is an activity that can only be done so many times before it gets tedious, even when there's no restraining order presented to myself at the end. Granted, that's the nature of moviemaking. But my time was running out, and I had to bid adieu to Jessica Alba. From across the set. While she was in a cab. Playing a blind person. Most likely wearing glasses that provide her with darkness and allow her to get deeper into her role.

(While rehearsing for the part, Jess mentioned that she wore sleep shades around her apartment, which gave her a claustrophobic feel. In a strange twist of wordplay, this opened her eyes to what it was like to be blind. On top of which she had to train for hours each day on the violin, to play these difficult pieces of music Xavier had picked. See Jess? I'm a great listener!)

So I departed the raining street, and turned the corner to find sunny skies, an occurrence all too common in LA. (And from what I hear Miami in the summertime). I left secure in the knowledge that I set out to achieve something grand and I accomplished it. And damn, am I proud. so proud in fact that I shall proclaim it from rooftops. Or in crowded groups of people. So when The Eye is released this October, keep your ear out in the theater. Because there might be some crazy bearded viking-looking guy shouting with pride: I had some of her fries!

(horror-movies.ca)


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PostPosted: 26.03.2007 20:28 Reply with quoteBack to top

Und noch ein Bericht:

Quote:
The Eye Set Visit!
The Jessica Alba horror-thriller remake

Jessica Alba can still make a man melt... even if she is blind. Devoid of vision for the scene under our observation, at least, when we journey into downtown Los Angeles to the set of The Eye, one of the latest J-horror imports undergoing Americanization. The 25-year-old stunner, who made adolescent comic book fanboys purr in Fantastic Four and Frank Miller's faithful collapse to their knees - clutching their hearts like a suffering Detective Hartigan - during Sin City, is poised in the back of a taxi cab, clunky black sunglasses eclipsing a fraction of her face.

Film extras in business attire stand on a nearby sidewalk clinging tight to their umbrellas and a little over twenty cars sit idle in this closed off section of L.A.'s commerce district, their drivers waiting for an action cue. Near Alba circles a young, energetic Frenchman puffing away on who-the-hell-knows-what-number-cigarette as he surveys the scene. He closes in on his leading lady - wearing the casual combo of blue Converse and jeans, a t-shirt and a Panavision cap - speaks to the camera operator in the front seat of the cab, issues some direction to Alba and saunters off approvingly. "Picture's up!" is bellowed, echoing from production assistant to production assistant down the street. The cab moves to its starting position, cameras roll, the rain towers deliver a deluge and a take is shot.

The Eye may be nearing its production wrap within a week, and the scene (a moment from the opening of the film) may feel inconsequential but its directors, aforementioned chatterbox David Moreau and his quiet counterpart, Xavier Palud, remain focused and determined to make their day - as is evident when we catch up to the duo on the rooftop of the Standard Hotel (where Jason Statham made his last stand in Crank) for an all-too-brief, but informative discussion about their remake of the Pang Bros.' 2002 ghost story.

Palud and Moreau made an impression on U.S. production execs with their debut French feature film, Ils (Them), last year. That picture, based on the true events of a couple terrorized in their cottage by unknown attackers, scored them a number of meetings including one with Wes Craven where they considered tackling an update of the infamous benchmark in soul-corrupting entertainment The Last House on the Left. "['Ils'] was a movie about the unseen and never seeing what's outside the door," Moreau explains to us. "It was more about what people can imagine than showing. 'Last House on the Left' was a great subject but really violent." The pair eventually came to The Eye on recommendation from producers Tom Cruise and Paula Wagner who had been developing the project for a number of years. "We tried to work on ['The Eye'] to make it a little less violent because we're more interested in playing on your nerves than shocking the audience."

To root that approach in someone the audience can empathize with, Alba was cast as Sydney Wells, a young blind woman (played in the original by Angelica Lee) who gets the supernatural whammy put on her when a successful operation grants her a new pair of paranormal peepers. Sebastian Gutierrez (Snakes on a Plane, Gothika) penned the U.S. translation and, as Moreau explains, the script remains true to the source material, however, some pivotal plot details needed to be altered to reflect the American culture. "Asian ghost stories are really striking to their culture. We don't live with ghosts like they live with ghosts, so the challenge was to make it less a ghost story," he says. "In working with Sebastian on the script, we decided the story today is to play more with what's inside her head. Instead of telling it's obviously ghosts, [Wells' predicament] is: Is it ghosts? Maybe. Is it real? Maybe. And they won't be obvious ghosts in the way we're telling the story, it's gonna be figuring out if she's insane or not."

Obviously, the locale of the story has been shifted to Los Angeles, with some scenes in Mexico, but another significant change will arrive in Alessandro Nivola's character. The Jurassic Park III co-star plays opposite Alba, furthermore, Wells' love interest. Yet, unlike the original film, in which leading man Lawrence Chou played a neuro-opthamologist, "I'm a neuro-psychologist because we realized opthamologists don't do any of the things that this guy does in the movie," Nivola candidly reveals trying to keep warm with the rest of us atop the Standard. "I went around meeting neuro-opthamologists when we first got to Albuquerque and nothing that they said about their job bore any resemblance to the script."

"The nice thing about the character is that he's the most skeptical of everyone in the film in terms of supernatural phenomena," the actor adds. "He refuses to accept its existence from start to finish. I pretty much watched [the original] and used the character as a model for everything I didn't want to be in this movie. There's not too much resemblance between my character and the original."

Alba's Wells, on the other hand, is analogous to the Pang Bros.' original heroine through a number of traits - such as the fact that her character is a musician. This made Alba's challenges on the film manifold. "I've had to learn how to play violin and have spent a lot of time with people who are blind," says Alba. Like Audrey Hepburn in Wait Until Dark and countless other actresses before her, "I've learned how to adjust and live as someone who is blind and there are a lot of anxieties that go with that. But then also having to play a classical violinist is impossible pretty much. [The directors have] me playing Beethoven and Mozart, it's not simple 'Twinkle, Twinkle Little Star,' it's really complicated, beautiful music."

Since starring in 1999's Idle Hands, Alba has long been absent from the horror genre. It's not for lack of love; she's just been waiting for an opportune moment to make her return. "I appreciate cult movie fans and people who like specific genres more than people who are just told to go to a movie because they have a character in their McDonald's bag," she asserts. "I wanted to do something that was classy, that transcended the genre hopefully. That's what [Moreau and Palud] want to do, they want to make this more than just a horror movie they could to take their girlfriend to. It's really going to look beautiful and different. And it's more of a psychological thriller than just a horror movie. You really go into the character's head and you live with her from the very beginning of the movie to the end of the movie. There are just not a lot of movies that star women that are smart and really tell the story through her eyes."

Nivola agrees that the directing duo is vying to deliver some fright fare that's a cut above the lucrative, torture-heavy flicks we're getting today. "They're trying to bring a reality to the world of the film that sometimes these kinds of movies don't have - scary movies are scarier when it's harder to disassociate yourself from the world of the film. If you can make a movie that's scary that also has believable relationships and characters then that hopefully makes the difference in terms of making it something that appeals on different levels at once."

(comingsoon.net)


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PostPosted: 01.04.2007 13:18 Reply with quoteBack to top

Quote:
Getting Serious with Jessica Alba

No, it's not a new series of personal improvement videos from Jessica Alba. It was just the theme of my set visit to the remake of the Hong Kong horror flick The Eye—with Jessica Alba.

It's no secret that Ms. Honey wants to be taken more seriously. She took acting classes from Felicity Huffman way back when. She recently bitched about getting too many offers to play the Biker Chick. "Somehow, I don't think this is happening to Natalie Portman," was the exact quote.

Love it. Hate that she has to fight, though. I mean Halle Berry did B.A.P.S. and Boomerang on her road to Oscar. Is it really such a man's world that a few Maxim covers can ruin your chances for Portman-style roles?

Nonetheless, active seriousness makes me feel silly. So here are some serious notes from my serious day on the serious set of the serious Eye, directed by David Moreau and Xavier Palud.

Jessica Is in Awe of Blind People: Alba opened up about how The Eye has changed the way she looks at blindness: "Now, I look for braille everywhere," she tells me. "People who are blind can function in the world like everybody else. And I always thought if you were blind that you couldn't really do whatever anyone else does. And they do everything."

Food Is Seriously Tasty: I give props to Alba for eating a cheeseburger and fries while being interviewed by nine guy journalists and yours truly. And she's not a Lindsay Lohan-Nicole Richie dehydrated, yo-yo weight girl who needs to performance eat. One of my reporter buddies boldly asked for a fry. She said yes. We took a picture of the plate. We laughed that we will sell the fries on eBay. We didn't.

Wait. This is serious. Must. Stay. Serious.

Violins Are Serious. Wet T-shirts, Eh, Not So Much: Again, I wish Alba didn't feel compelled to sort of defend her choices. But she did.

"It's a lot more interesting for me to play someone who is blind and a classical violin player than someone, you know, running around in a wet T-shirt."

Of course, then our largely male group of journalists was brought to visit the set to watch a scene in which she gets out of a cab—in the rain. Of course it wasn't that kind of scene, but still. I get why she's sensitive.

Violins Are Also a Serious Pain: "It's impossible," Jessica railed, when asked about learning the instrument. "It was absolutely bulls--t. Music that I'm playing is music that people are playing after university, people who have been playing since they were five." I'm so happy I'm not an actress, I swear.

The Ten Looks Seriously Funny: Jess didn't talk about her work on the comedy from the makers of Wet Hot American Summer, but word on the street is that it's good. It's a huge ensemble, with hubba-hubba Paul Rudd and Winona Ryder. And I'm serious when I say that this is a seriously good move for Jessica. I would like to see her do more funny-but-serious work—you agree?

(eonline.com)


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PostPosted: 01.04.2007 13:31 Reply with quoteBack to top

meine güte... das is ja mal nen text... juggle
aber interessant ist es schon...blöd nur, dass jessi nicht so ernst genommen wird, wie sie es wohl möchte... aber wie ich schon mal gepostet habe: sie möchte ja auch , dass ihr humor ernst genommen wird... oder nich? gruebel

NO MATTER WHAT YOU ARE GOIN' TO DO JESS, WE LOVE YOU AND LIKE WHATEVER YOU DO!!!!

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PostPosted: 01.04.2007 13:51 Reply with quoteBack to top

Erst genommen werden zu wollen, ist ja schön und gut. Ich hoffe nur, Jessica übertreibt's nicht. Schließlich mögen wir Fans auch die "leichte" Kost, wie "Into The Blue" und "Fantastic Four". Nicht dass sie am Ende noch krafthaft versucht, um jeden Preis einen Oscar zu bekommen, wie z.B. Tom Cruise. Das sähe unserer Jessica nämlich überhaupt nicht ähnlich.

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